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sva's
John Street Studios artists |
for
the full sva members register click above |
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artNucleus
(Reinhild Beuther & Simon Ryder)
01452 226166
s.ryder@artnucleus.org
www.artnucleus.org
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Ann-Margreth Bohl
Stonecarving, canvas-cutting, layered mobiles,
exploration of light and dark in slow and faster motion
me(at)annmargrethbohl(dot)com
www.annmargrethbohl.com
see Ann-Margreth report on the Laubach
art-symposium |
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Esther Caplin
esther.caplin@hotmail.co.uk |
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Jo Casling
simpsong@btinternet.com |
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Francesca
Chalk
francescachalk@tiscali.co.uk |
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Alison Cockcroft
Finely tuned and balanced works of the imagination
in metal and paper
alison@aliart.freeserve.co.uk
www.alisoncockcroft.co.uk |
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Matt Curtis
mattycurtis@gmail.com |
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Louisa Fairclough
louisa@artserve.net
see From Here
to There, From There to Here
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Corinne
Hockley
Paper corsets, caged wings, dancing shoes, mixed-media
textiles on themes of freedom and constraint
07957 468940
corinnehockley@hotmail.co.uk |
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Nadine James
nadinefjames@hotmail.com
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Sarah Jenner
sarahejenner@btinternet.com
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Helen Kincaid
helen.kincaid@virgin.net
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photography by Nigel Noyes
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Aimee
Lax
These sculptural forms stand to discuss our endeavours to create
and exist in a world of artificial nature. I explore themes of attraction/repulsion,
familiar/unfamiliar and other-wordliness by examining the conventions
of displaying nature within our culture.
The materials I use are vital to this discourse. I use porcelain
for its symbolism, it’s purity, fragility and strength, often
mixing with contrasting materials for example silicone rubber, metal,
the ready-made object, other clays and glass.
The sculptures can exist in a variety of environments, often made
in components they can transform and change through installation.
Displaying the work in the gallery context, new questions arise
of how the viewer experiences not only nature itself, but art about
nature and the role of artificiality. In doing this, I present a
reflection on the contemporary situation of the relationship between
nature and culture.
also see confines
& mutations
www.aimeelax.co.uk
www.chandoscommission.blogspot.com/
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Liz
Lippiatt
Designer and silk-screen printer of cloth for costume and couture
07929 412246
textile@liz-lippiatt.com
www.liz-lippiatt.com
www.studio-seven.net |
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Ralph Macartney
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ralphmacartney@hotmail.co.uk
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Mat Moran
matmoran74@yahoo.com
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life assured 1, oil on board |
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Austen O'Hanlon
The use of photography and painting
has become a constant dialogue in my work. The need to assess how
to apprehend an image through photographic means is problematic
and intriguing. I feel this is where my concern lies: that is, the
relation between how an image is processed and the personal 'apprehension'
of that image. A recent intention within my work has been learning
how to make decisions about what to extract from the photograph
and how to progress from a pre-existing image. The process of painting
allows me to converse with myself about how to exact an image. My
painting starts off being a representation of a person's character,
and it ends up becoming involved within the processes of painting
through analysis of photography and using the medium of painting.
I begin by drawing out the image from the photograph, then I eradicate
it immediately. This process is repeated a number of times until
the form has been placed. It is an attempt to resolve/resist the
photograph and to turn the image into a new form: altering the form
of the figure and distorting the original image creates a new, fractious
image with a history of decision-making.
austenohanlon@gmail.com
www.austenohanlon.com |
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Penny Prince
The landscape is the source; observed, remembered,
referenced from maps and aerial photography, then painted in rich
colour and drawn marks
01453 872736872736
pennyprinceis@hotmail.com
www.pennyprince.co.uk |
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Yola Quinn
yolaquinn@gmail.com
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Lorraine Robbins
lozzerrobbins@yahoo.co.uk
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Maggie Shaw
Abstract paintings exploring the unexpected beauty
of unusual subject matter
01452 813747
maggie@maggie-shaw.co.uk |
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Emily Smith
Emily is a sculptor, ceramicist and installation artist.
Her practice examines themes of loss, absence and trace and stands
as an investigation of memory; the subjectivity, transience and
loss inherent in the act of remembering. The work is rooted in philosophy
and in theory such as Derrida's theory of grammatical trace and
Freud's theory of memory, and applies it to the materials and methods
used. The work questions objective and singular memory, and investigates
how the past is recalled through both visual memory and physical
trace.
07963781384
emilysmithsculpture@hotmail.
www.easmithartist.com
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Dan Sparkes
betty@kuildoosh.com
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Anna Usborne
The work reflects an interest in how objects relate
to architecture and interact with people
07952 535814
anna_usborne@hotmail.com
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